Showing posts with label Metaphysics. Show all posts
Showing posts with label Metaphysics. Show all posts

Wednesday, April 7, 2010

Earth 2.0 finds its own way

Wednesday, April 7, 2010


Earth 2.0 Finds Its Own Way

We always said we were on a journey; a journey of exploration, a journey of learning. Given the subject matter of Earth 2.0 – namely the new operating principles our species needs to employ if we are to have a sustainable biospherical future – creative ups and downs in the pre-production process were always going to be inevitable. But it still came as a distinct shock to us when we got into a bit of a rumble with The Venus Project (see an earlier blog article about our initial visit to The Venus Project a few months back). Well, it started out as a bit of a rumble but soon escalated to the point where we were forced to part company with working with them. In retrospect this is no bad thing and has meant that we are learning to stand on our own two feet independently of other projects. After all, we are making an independent movie and our creativity is at the behest of no organisation or movement (other than the biosphere of course).

Signs of looming trouble began in New York in mid-March. We were there to meet up again with Jacque Fresco (director of The Venus Project) along with his partner Roxanne Meadows. They were appearing at the annual Z-Day event (part of the Zeitgeist Movement). Now, up until this point we had been working very closely with Jacque. Indeed, we had lined him up to be the first main ‘actor’ in Earth 2.0. We wanted to him to delineate the core principles of The Venus Project such as the sharing of the Earth’s resources. In fact, the idea has been to focus one section of Earth 2.0 on the notion of sharing and all that this implies.

The trouble began one morning over breakfast. As we sat and talked in a 71
st Street restaurant, a background ‘issue’ came to the fore once more. Basically, Jacque and Roxanne do not like metaphysics. Anything spiritual or pertaining to the expansion of consciousness is anathema to The Venus Project. They even refer to popular spiritual ideas as “verbal masturbation”. We knew this harsh stance of theirs only too well from previous meetings but had not let it interfere with our collaboration. Yet  it was becoming ever more clear, at least to us, that The Venus Project will not be able to deliver its healing promise all by itself but needs to be driven by raised consciousness and changed values, both of which are psychological in nature and also unavoidably connected to emotion and spirit.

In other words, it is not enough to change social conditions and surround people with humane and intelligently applied technology (Mr Fresco’s futurising revolves around this). All that means nothing if people themselves do not change inwardly in terms of their consciousness and their values. No matter how prevalent you make resources, no matter how utopian you engineer culture, no matter how efficient your mag-lev trains are, no matter how free you are of laborious work, people will still remain subject to petty negative emotions and will still have unhealthy relationships with one another. They will still identify with various exclusive groups, they will still be mean and angry and envious and be subject to all those other negative manifestations that we suffer from. These negative aspects of the human psyche are mechanical (i.e. they happen on their own) and effect us all regardless of external conditions. Yes, you can certainly design a culture which brings out the best in people and which does away with scarcity and financial corruption and such. But unless people develop themselves inwardly through mindfulness and self-knowledge, they will still find something to covet, something to get angry about, something to compete over, something to bear a grudge over, something to form a chip on the shoulder about, someone to be angry at, someone to fight with, someone to make into an enemy, someone to be envious of, and so on. And it is through a lack of consciousness and attentiveness to our relationships that leads to all of the above. Relationships are everything. Our relationships, with others and also toward environmental influences, define our lives. The chief problems of humanity therefore boil down to unhealthy relationships – with one another, with the rest of the biospherical web of life, and, ultimately, with the rest of the cosmos.


Consider how luxurious our lives are now compared with people living in the Middle Ages (back then there was no running water, no electricity, no shops, no cheap clothing, no fast food, no public transport, no spare time, no media, no internet, no mobile phones, no NHS, no welfare, no human rights, etc). We in the West now have pretty much everything in comparison. Yet we are still subject to stress, depression, existential malaise, greed, ego inflation, hatred, ecological insensitivity, racism, alcoholic violence, religious war,  along with all manner of other negative manifestations and problematic relationships.


Thus, to reiterate, only inner psychological change – a change in values, an increase in self-knowledge, and a changed conception of our relationship to the biosphere and to one another – can pave the way toward healthy long term cultural change. Which means that radical personal change must precede radical social change. Our culture and all that our culture values and promotes is a direct reflection of the values of the collective psyche. If we change our minds and our values, if we become more sensitive to the life-support system that is the biosphere, if we change how we relate to one another and to the rest of Nature, if we upgrade our conception of the meaning of life, then our culture will change also.


Anyhow, we told Jacque and Roxanne that alongside The Venus Project our film will perforce feature other positive directions for change, other important visionary ideas. In particular, along with sharing, we will likely feature a section on symbiosis as well as a section pertaining to consciousness and self-knowledge (i.e. those ideas and practices that directly address the inner world outlined above). Plus a section on the various technologies at our disposal that can help to promote sharing, symbiosis and a new relationship with the rest of Nature. And all done in an artistic cinematic style.


Sounds fair enough? Not so. Explaining that Earth 2.0 wanted to present other strands of thought alongside the ideals of The Venus Project caused tremendous consternation. It soon became clear that The Venus Project is so rigid and inflexible that it will not associate itself with any other ideas. Worse, when we tried to explain why we wanted to feature a section on symbiosis (because it is a sustainable operating principle long employed throughout the web of life), Jacque and Roxanne would not have it. Indeed, they would not even allow the conversation to proceed forward. And I dearly wanted to tell them about mitochondria (the energy producing organelles inside our cells that have their own DNA thereby revealing their symbiotic origins). But it was impossible. They did not wish to listen.  


This stubborn conviction that The Venus Project possesses the only practical way to solve the world’s problems proved to be so marked that voices became raised. Yet we bent over backwards trying to reason with them. Surely being featured in a major release cinematic film would be for the best and would help them to spread their message regardless if it was included as part of a broader spectrum of new ideas? I mean, their Florida residence was at that time for sale. They need publicity and funds. But no, they adamantly refused to mix their ideas with other ideas, particularly if those other ideas were about learning from Nature or about metaphysics and self-knowledge. And so it was that we parted company.


Looking back on these events, what we have learned is that one can differentiate between The Venus Project (a rigid organisation) and some of the ideas it promotes (which are adaptable). For instance, the idea that the Earth’s resources be shared and that mankind behave like the global family that it actually is, is not a new idea nor is it copyrighted to The Venus Project. In fact, much of what Jacque Fresco talks about and writes about is voiced by any number of wise people. Thus, Earth 2.0 will still explore the notion of sharing planetary wealth and behaving toward one another in a non-competitive non-profit way. And rather than focus on the circular cities of Jacque Fresco, Earth 2.0 will look at current urban upgrades and current technologies that can bring us back into harmony with the larger biospherical system of which we are a part. Indeed, Earth 2.0 will look at what the web of life can teach us about sustainable behaviour – after all, life has had three and a half billion years to hone the art of sustainability.

Returning to the notion that the world is made of relationships and that it is relationships that must evolve and be upgraded if we are to have a sustainable planetary tenure – this notion of relationships came to the fore with the break with The Venus Project. For the plain fact of the matter is that The Venus Project is, by its very nature, incapable of relating to many people. It is as though it has been in a bubble for the last 30 years, separated from the rest of the world, and has lost the power of empathetic communication. So whereas Mr Fresco can speak well on stage about various subjects, as far as current trends are concerned wherein people are upgrading their lives in an eco-friendly way, this is something that seems outside the scope of The Venus Project (having visited the sprawling headquarters of The Venus Project numerous times it is rather ironic that, despite copious Florida sunshine, there are no solar panels, nor are there any signs of home-grown vegetables). 


The biggest problem however is when the issue at hand turns to mind and spirit – for this is something that leaves The Venus Project cold and mute. Yet we are all in this reality together and thus we have to relate to one another via common ground. This common ground is the biosphere, Nature, the web of life on Earth, that larger life support system into which humanity is woven. And the common ground is also our inner life, our consciousness. This too we share and this too we can upgrade. All this must be taken into account by Earth 2.0. So now we stand on our own two feet and now we move forward with determination and confidence. This is the Way.

Saturday, January 23, 2010

Earth 2.0 conflict begins

Saturday, January 23, 2010


Venus Rising

Blogs are apparently supposed to be short and sweet. This is impossible for Earth 2.0 as the subject matter cannot be treated briefly. So think of this ongoing series as the Earth 2.0 Mega Blog With Added Extra Goodness...

Time: January 2010
Place: somewhere in deepest wild sub-tropical Florida.
Players: visionary elder extraordinaire Jacque Fresco; Mr Fresco’s superwoman pilot, builder and wholly dedicated partner in love Roxanne Meadows; beaming-faced director Frank Da Silva; surf dude ace cinematographer Mark Drifting Waters; executive producer love bomb actress Princess D-Day (also known as Princess Unobtanium due to her consistent state of being busy); and yours truly (gaffer, runner, key grip, etc).

So, here I am in Jacque Fresco’s main living pod at his remote sub-tropical residency in Venus Florida. Mr Fresco is, of course, the director of The Venus Project whose championing of a resource based economy (according to which money is vanquished, all of the Earth’s resources are shared, and we cease struggling to secure advantage over one another) is to be featured in Earth 2.0. I am pretty much supine and well relaxed on a comfy orange lounger chair – which is sort of 1970’s retro futuristic. My small netbook is on my lap and I can type as I observe the proceedings. Earth 2.0 cinematographer Mark Drifting Waters is setting up his gear and is about to film Mr Fresco giving a demonstration of architectural stability. This footage might be used as supplementary Earth 2.0 material. The real good stuff was filmed earlier in the day around the scenic grounds of Fresco’s place. It was all storyboarded in advance. Fresco, once he has donned his trademark Indiana Jones hat, is a terrific actor (whippersnapper Harrison Ford has nothing on him). The resulting footage is top-notch – as are Mr Fresco’s discourses. Cinema audiences in 2012 will be bowled over both visually and conceptually. This is guaranteed.

No surprise then that 93 year-old Mr Fresco is best described as an utterly amazing force of Nature. He comes across as impressive in the Zeitgeist Addendum movie and on various YouTube clips, but he is even better in the flesh. Although he is small and fragile, strength lies deep within him and he is always eager to unleash this. Give him the slightest chance and he will vocally launch himself and wax majestic on all manner of paradigm shifting social observations. Although we have been filming him all day, he still has enough energy to insist that we do this extra bit of film inside his main living pod. I suspect he runs on geothermally charged Duracell batteries from the future he is so fond of, or maybe he eats some kind of special Florida spinach. In any case, a little earlier we were all rather knackered and were thinking of packing up. But Mr Fresco wouldn’t let us leave. He has loads more to say, more tales of technology to tell, more practical wisdom to impart. I know that he also has a gun (there are big alligators in the area) so we all decide to comply with his wish to be filmed again and let him do his piece on architectural stability.

Mr Fresco suddenly notices my T-Shirt which features a somewhat flippant picture of Yoda from Star Wars (Yoda is wearing sunglasses and has hi-fi headphones hanging loosely around his neck). Mr Fresco recognises Yoda (well, they are two of a kind). That seems apt as the pod we are in (built by bare hand by Jacque and his partner Roxanne Meadows many decades ago) is akin to the pods in the original Star Wars movie – sort of white and round, a bit like an igloo. Like the chair I am in, the style of the pod is retro-futuristic. Anyhow, Mr Fresco wants to talk about strong building structures. For this purpose we have him sat at a table which has a cylinder of paper on it. A sheet of paper lacks structural strength. But if you roll it up into a cylinder, it can carry a remarkably large load. This will be demonstrated by getting Roxanne to place a stack of heavy books on top of the paper cylinder. In this way, Mr Fresco can readily convey notions of efficient construction and design.

While props and lighting equipment are being set up, Jacque is dismissing various metaphysical notions and ideas. The Venus Project has no time for metaphysical thinking. Airy fairy New Agers will not find obvious solace in Fresco’s vision and work. Intelligently applied science and technology for the good of all humanity is what The Venus Project is about. At a stretch one can view this as a sort of mathematically engineered love, or a practically engineered spirituality. But still, surely Mr Fresco must acknowledge a certain interesting something about the nature of reality, a certain astonishment that Nature can birth life and consciousness? And yet Fresco dismisses Einstein’s notion of an intelligent harmony to the Universe (he once met Einstein when he was very young). He talks of violent supernovae. How can they be harmonious? I reply that these stellar events make the crucial heavier elements of which life is made. We debate a bit more and conclude that everything depends upon how one defines harmony. With an objective definition (pertaining, let’s say, to the lawful interconnectedness of all things), the Universe can indeed, as Einstein suggested, be considered an exquisitely harmonious and smartly operating system. Come to think of it, the very real existence of Jacque Fresco here on planet Earth at this crucial period of time is testimony to such an assertion. For me at least, the fact that the whole system of Nature has both constructed and primed Mr Fresco is ample evidence that life is far smarter than we may imagine.

Later that night, just as were making our final departure, Mark Drifting Waters and I spoke of our sadness to be leaving. Then we realised in no uncertain terms that we loved Mr Fresco! So I ran back to the pod and told him. He said he loved us too. That’s cool with me. May we all meet again in similarly extraordinary circumstances. Heap big Pachamama make it so.

By Simon Powell - EARTH 2.0™ Scriptwriter